Sharp images. I noticed some of them as I walked down the street to see if any object might arouse my curiosity, maybe a thought to salivate my thinking. Among the myriad of objects that I could have picked up—mainly they were of a more valuable use, such as a stool and a napkin—this sharp image, the image of a woman in a picture, seemed almost content. Isn’t it weird, that we love things that portray some sort of image, though it isn’t near the reality of the image; after all, images are merely stimuli and reflections of what the mind sees, or wants to see. On any note, this image was still very attractive to my mind. The woman wore a red dress, a sort of skirt-dress. It had spots of white with a strap, white, attached to the ends of the neckline part of the dress. She was sitting on a chair reading the newspaper to her husband. The place in which she read was a patio, a taste for virtu and art was among the objects in their home. She had red hair, curly red hair, which fell to her waist, holding her tightly as a lover gently accents her credulity. She was a thin woman. She had light and delicate hands, untainted, fortunately, from all the trappings of “womanhood” adornment. Her eyes were blue, filled with a sadness of transcendent joy. There was green grass, which meant that there was nothing dead in this image. (How could someone be so careless with a thing so beautiful? This is probably the joy of some man, or maybe a joy a woman wishes to be. Dropping a picture so aesthetic in nature, so admirable must be something hard.) Among the green grass and the antiquity of the objects—mainly vases and painting of Saint Barbara, from Sistine Madonna—there were other objects of admiration: a quaint house, servants filled with merriment in servitude, and above all, a book case in the next room; you could see it through the glass door which leads to the house. It looked like the wall was filled with collections of data and novels, books of innumerable genres. It is possible that the sight only spurned my imagination as to what they loved to read. They must have loved the life of deep contentment.
Thursday, February 22, 2007
Images
Levels and Stages
Some notables are vital to the reading project. First—well, where do I start?—is the essential reading, the primary focus of my writing this blog. The author, or I should say authors, Mortimer Adler and Charles Van Doren (for shortened purposes Adler and Von Doren) begin with the purpose of the initial reading. What is to be expected?
But for now, I want to divert to a reason why I think I should participate in this activity. Why on God’s green earth should I even read? Well, there are certainly different reasons for the activity itself, but for me, I am content to say that it is ultimately to find the answer (or answers) of all philanthropic endeavor—happiness. Let’s find a more proximate goal in mind that I can share with my general audience; the goal, therefore, is for knowledge. Whether one is reading a manual for a television set or a philosophical inquiry, the person seeks answers for his or her intended purposes. So let the reason be that we seek knowledge.
In this reading prospect we have levels in the reading hierarchy, or I should probably add the levels in which we deal in the reading process. Without dealing in the specifics of each level, meaning that the stages not conferred in detail, I will outline only the levels. This installment will only include the primary functions of the first level and the meaning of the two other levels, though I will not outline and explain them like the first.
In the first level most of us have already learned, granted that he or she—the reader—has lived in the states and has had some kind of formal education. Subdivided, the stages are elementary up to the ninth grade stages. A level of high school reading is enough to live and communicate in the modern milieu, but certainly not enough to be a critical writer or reader. This kind of reading requires a more advanced kind of level in reading, a proactive approach, viz. the third level in reading—analytical reading. I will give a more detailed analysis of the primary level and its stages with citations from the book, How to Read a Book. First I need to learn how to hyperlink cross-references on this web log (or as the cyber world puts it, “blog”).
Wednesday, February 21, 2007
Theology Meet My Personal Life
Tuesday, February 20, 2007
A Faith Based Faith
Monday, February 12, 2007
Maybe Not My Whole Day, But Some Of It
Saturday, February 10, 2007
Chapters 1-3: Tim O'Brien
family figure who comes up with the stories. But then what would the kids be looking forward to if Grandpa wasn't going to deliver? Stories of the past, as O'Brian writes, tells us of the past, the future, and ultimately of ourselves. Sometimes the impulse to indulge in the musings of our lives gives us a deeper meaning to what we may see as significant--enough to love the past for recollection. Writers depend on simple truths of a story. They take a turn from one place and describe how it was significant to them at the time the musing begins. They can express how at one time it was the place where certain activities happened, as if the place had a story to tell or eyes to report. Places have the silent voice of memory imprinted in the writer's mind. Stories--they are the pasts voice and the futures life. We can learn a lot of what we consider fain but monotonous experience. Let the silence take a tour, let it digress.
Thursday, February 08, 2007
Who Am I?
Monday, February 05, 2007
Love, The Concept
Feb. 5, 2007--Entry
Friday, February 02, 2007
Freedom Writers and Entry 78
- Entry 78:
- "Me, cleaning my mother's blood off the wall, represented the 'tornado' breaking and destroying her face (I liked to call my mother's boyfriend the 'tornado'.) After he would hit, everything would look like it had been caught in a whirlwind--our apartment, our sanity, and my mother's face. I was cleaning up after the tornado hit my house and diminished everything. Washing my mom's blood, which was shed from time to time; a sacrifice to make him happy. He lived for blood--her blood, enjoying every fist that hit her flesh, and every scream that took place. While he broke televisions, stereos, VCRs and the dining room table, it didn't compare to the breaking of her mind. My mom was never the same, and neither was I . . ."